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Trans-Chennai and Personifying Self -Appropriating the Southern Discourse
V.R.Vaishnavi |
| George.K's sculptures of Aravanis (transgenders) negotiate an interesting politics of vision and space by introducing a subject that is often rendered by the society as unseen and invisible into a space that facilitates the act of viewing.....» |
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From no-Gallery to Many Galleries the History and Present of Art Galleries in Kerala
Johny M L |
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| The history of art galleries in Kerala has an intricate connection with the history of mass migration of Kerala artists to the other art centers in India. Raja Ravi Varma’s decision to leave the erstwhile state of Travancore.....» |
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The Baroda School of Radicals and Indian Historiographic Amnesia
Rahul Bhattacharya |
| This article looks at how Indian contemporary art historians have located the subaltern and radical movements in a sanitised sphere of personal empathies. During the National Seminar on Art and Activism (Baroda, 2004) when Alex Mathew finished his slide show and was answering questions....» |
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Indian Contemporary Art Today: An Experience from Paris to Delhi
Christine Ithurbide |
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| Paris, 2005 – Ending with the cliché on Indian iconography, Taj Mahal, woman with sari, cows, a new window had to be opened on India and what else could be a better instrument for this than art? For the fi rst time, French public was introduced to some major creations of Indian contemporary artists......» |
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Contemporary Indian Ceramics
Sandhya Bordewekar |
| "Clay, used as a medium of expression as well as function, is the longest lived practice by Man," explains Trupti Patel, the curator of a three-part exhibition on ceramics titled Indian Ceramics Today, held at the Lemongrasshopper Gallery in Ahmedabad, that was organized in October, December (2007) and February (2008).....» |
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